the music

Before Late Romantic orchestral trends of length and scope separated the trajectory of lighter orchestral works from the Western Classical canon, classical composers such as Wolfgang Amadeus Mozart or Joseph Haydn won as much fame for writing lighter pieces such as Eine Kleine Nachtmusik as for their symphonies and operas. Later examples of early European light music include the operettas of composers such as Franz von Suppé or Sir Arthur Sullivan; the Continental salon and parlour music genres; and the waltzes and marches of Johann Strauss II and his family. The Straussian waltz became a common light music composition (note for example Charles Ancliffe's "Nights of Gladness" or Felix Godin's "Valse Septembre"). These influenced the foundation of a "lighter" tradition of classical music in the 19th and early 20th centuries...from the likes of Binge and Coates to Farnon.

Sidney Torch MBE (5 June 1908 – 16 July 1990) was a British pianist, cinema organist, conductor, orchestral arranger and a composer of light music.

Born Sidney Torchinsky of a Ukrainian father and an Estonian mother in London, Torch learned the rudiments of music very quickly from his father, an orchestral trombonist, who used to sit next to fellow trombonist Gustav Holst in such places as the old Holborn Empire. He worked as an accompanist before getting a job playing the piano with the Orchestra of the Regal Cinema, Marble Arch, London. When the Cinema's Christie Theatre Organ was installed in 1928, Torch became the Assistant Organist to the Chief Organist, Quentin Maclean. Torch took over as Chief Organist at the Cinema in 1932. Maclean had left in 1930 to become Chief Organist of the Trocadero Cinema, Elephant and Castle and was followed at the Regal until 1932 by Reginald Foort. Torch's tenure at the Regal lasted until 1934.


Read more bio at:  WIKIPEDIA

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