the music

Before Late Romantic orchestral trends of length and scope separated the trajectory of lighter orchestral works from the Western Classical canon, classical composers such as Wolfgang Amadeus Mozart or Joseph Haydn won as much fame for writing lighter pieces such as Eine Kleine Nachtmusik as for their symphonies and operas. Later examples of early European light music include the operettas of composers such as Franz von Suppé or Sir Arthur Sullivan; the Continental salon and parlour music genres; and the waltzes and marches of Johann Strauss II and his family. The Straussian waltz became a common light music composition (note for example Charles Ancliffe's "Nights of Gladness" or Felix Godin's "Valse Septembre"). These influenced the foundation of a "lighter" tradition of classical music in the 19th and early 20th centuries...from the likes of Binge and Coates to Farnon.

Philip Green (19 July 1911 – 6 October 1982)

Harry Philip Green, was a film and television composer and conductor. He composed more than 150 film scores including The Yellow Balloon (1952), Carry on Admiral (1957), The Square Peg (1958, together with several other Norman Wisdom films), The League of Gentlemen (1960), Victim (1961), The Singer Not the Song (1961), and The Intelligence Men (1965). His themes for John and Julie (1954) and The March Hare (1956) both won Ivor Novello Awards. He also composed the themes for the popular 1960s television crime series Ghost Squad and Sergeant Cork. Like many composers of film music and light music, he also wrote prolifically for production music libraries and as a result, a number of his compositions are familiar through their use in film, radio and television programmes. Many of these works are now published by Carlin Production Music. WIKIPEDIA

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