the music

Before Late Romantic orchestral trends of length and scope separated the trajectory of lighter orchestral works from the Western Classical canon, classical composers such as Wolfgang Amadeus Mozart or Joseph Haydn won as much fame for writing lighter pieces such as Eine Kleine Nachtmusik as for their symphonies and operas. Later examples of early European light music include the operettas of composers such as Franz von Suppé or Sir Arthur Sullivan; the Continental salon and parlour music genres; and the waltzes and marches of Johann Strauss II and his family. The Straussian waltz became a common light music composition (note for example Charles Ancliffe's "Nights of Gladness" or Felix Godin's "Valse Septembre"). These influenced the foundation of a "lighter" tradition of classical music in the 19th and early 20th centuries...from the likes of Binge and Coates to Farnon.

John Mervyn Addison (16 March 1920 – 7 December 1998) was a British composer

Addison is best known for his film scores. He won an Academy Award and a Grammy Award in the Best Original Score from a Motion Picture or Television Show category for the music to the 1963 film, Tom Jones. He also won a BAFTA Award for A Bridge Too Far (1977). His other film scores included A Taste of Honey (1961), Smashing Time (1967), The Honey Pot (1967), Sleuth (1972), Swashbuckler (1976) and the television series Centennial (1978). He composed the theme music for the television series Murder, She Wrote, for which he won an Emmy. Addison will also be remembered as the composer Alfred Hitchcock turned to when the director ended his long relationship with Bernard Herrmann over the score to his 1966 film Torn Curtain.
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